
Two good things happened in Cannes on Monday: the sun shone, and I finally got in to see The Coen Brothers' Inside Llewyn Davis, the most favoured competition film so far. It was hard for it to live up to anticipation but I enjoyed the mileau - New York's early folk scene in the 60s - and the performances, as well as the humour. It's not an instant classic but has plenty of character and a strong, if deliberately hangdog, performance from Oscar Isaac in the lead role.



