After last year's relatively low-key action comedy Pain & Gain, Michael Bay returns to the comfort of a nine-figure budget this week with the $210 million rock 'em sock 'em blockbuster Transformers: Age Of Extinction. But like so many of today's biggest directors, Bay got his start in the considerably smaller domain of music video. Here are ten achingly cheesy videos from the back catalogues of Hollywood's directing elite.
3 July 2014, 12:18pm
In 2010 DreamWorks' hit-starved animation studio was finally gifted with How To Train Your Dragon, a film that satisfied older audiences as well as the many young fans of Cressida Cowell's best-selling book series. The movie came close to Pixar at its best with a memorable score, top-notch animation and an instantly loveable lead character, and while most sequels usually reek of money-hungry desperation, How To Train Your Dragon 2 not only continues the story of Hiccup and his toothless friend but gives us a totally new one.
1 July 2014, 3:46pm
I am untroubled by the fact that the Transformers franchise is an outlet for a man to spend hundreds of millions of dollars to watch things blow up. The co-opting of a children's toy line as an excuse to ogle women's bottoms is a stickier wicket, but more of that later. No, the real problem, as you might expect of a bunch of stories about alien robots that turn into cars, is its lack of humanity.
30 June 2014, 1:51pm
The World Cup continues, but there are still great new movies available on demand: just look at this cracking selection from the last month! Click through to watch them online or select 'Catch Up & On Demand' then 'Movies' on your Virgin Media TV.
20 June 2014, 1:45pm
Having kick-started the Marvel Cinematic Universe with the first two Iron Man movies and then come a cropper with high profile misfire Cowboys & Aliens, it's perhaps not surprising to find director Jon Favreau making a return to small scale personal pictures like his screenwriting debut Swingers. It's also next to impossible to avoid reading between the lines in this gentle feelgood comedy-drama, though that only adds to the enjoyment.
19 June 2014, 3:55pm
Jon Favreau may not be the most recognisable man in Hollywood, but he's enjoyed a consistent career both in front of and behind the camera for over 20 years. Director of big-budget blockbusters like Iron Man and Cowboys & Aliens, Favreau started small, writing and starring in cult Vegas comedy Swingers. His latest movie, Chef, sees Favreau get back to his roots, writing, starring and directing this story about a chef who... well, goes back to his roots. We spoke to Jon at the Soho hotel about growing old, selling out and making sandwiches...
19 June 2014, 3:12pm
Chinatown turns 40 this week, an anniversary worth marking for the sake of art and coincidence. The film is an inscrutable classic of the New Hollywood; a terse, stylish mystery that, through Jack Nicholson's detective Jake Gittes, interrogates the idea of Los Angeles through the intrigues and struggles that brought it into being. But there's also a dark fascination with the film's director, Roman Polanksi, who was also 40 when he made the film, and who just a few years afterwards became wrapped in the darkness of abuse and influence his film so deftly explores.
18 June 2014, 11:08am
Jersey Boys is all spaghetti sauce and eyebrows. In places, it feels like a slipshod, sixth-form production of Goodfellas, the type of haphazard opus you can imagine Wes Anderson's nerdy hero Max Fischer mounting at the end of term in Rushmore. A chintzy disappointment, in other words.
17 June 2014, 12:02pm
Before Marvel's assault on the multiplex, before Chris Nolan made brooding superheroes into billion dollar blockbusters and before George Clooney's infamous Bat nipples; one film changed the way that superheroes were seen at the cinema.
10 June 2014, 11:11am
Mirrors can be our best friends or our worst enemies. They represent a slightly distorted version of reality and have a certain power over us, luring us in with a better-than-expected reflection, or showing us things about ourselves that we perhaps don't want to see. Basically you can't trust them. Onscreen, this has mutated into full-blown macabre potential, particularly in the horror genre where they've long been ominous objects with audiences learning to feel unease at their very presence, for fear of an evil face appearing joltingly behind the observer.